A Writers Style Essay -- Writing Style Momaday Essays Papers

  Ã‚  Ã‚  Ã‚  Ã‚  The Pulitzer Prize winning writer N. Scott Momaday has become known as a very distinctive writer who depicts the stories of the Native American life in almost poetic ways. He does an excellent job of transporting the reader from the black and white pages of a book, to a world where every detail is pointed out and every emotion felt when reading one of Momaday’s books or other writings. This style of writing that Momaday uses is very evident in his work â€Å"The Way to Rainy Mountain,† and made even more apparent by reading a review of the book House Made of Dawn found on a web site run by HarperCollins Publishers.   Ã‚  Ã‚  Ã‚  Ã‚  Throughout the essay â€Å"The Way to Rainy Mountain†, Momaday uses very descriptive words, which brings the places he is describing to life in the minds eye. The essay begins with his description of the homelands of his Kiowa people, which has been given the name of Rainy Mountain. The picture painted in the readers mind by these beautiful descriptions makes it easily understandable why the Kiowa people came to settle upon this land as their home. For example, part of the description Momaday gives of the land within the first paragraph is, â€Å"There are green belts along the rivers and creeks, linear groves of hickory and pecan, willow and witch hazel. At a distance in July or August the streaming foliage seems almost to writhe in fire.† (Momaday, 95) I can not help but imagine the trees wavering in a gentle early fall breeze as the yellows and reds seem as if the whole land is burning beneath the fading summer sun. Halfway through the essay he de scribes the Black Hills by saying â€Å"A dark mist lay over the Black Hills and the land was like iron.† (97) He then describes Devil’s Tower in the next sentence by writing â€Å"†¦I caught sight of Devil’s Tower upthrust against the gray sky as if in the birth of time the core of the earth had broken through its crust and the motion of the world was begun.† (97) The way that Momaday describes these breathtaking scenes allows the reader to both see and feel the emotion that these great views evoke. This style of writing is backed up through HarperCollins Publishers online review of Momaday’s book, House Made of Dawn, when it states that â€Å"The world of his grandfather, Francisco—and of Francisco’s fathers before him—is a world of seasonal rhythms, a harsh and beautiful place†¦Ã¢â‚¬  This shows that inside the book House ... ...aw the reader in.   Ã‚  Ã‚  Ã‚  Ã‚  In conclusion, upon looking further into N. Scott Momaday’s style of writing, I have found it to be true that he has developed one of the most sound and beautifully descriptive styles of writing. The way he describes each scene with so much feeling brings the reader in through a very emotional avenue. Also, his style is very strong where he covers the changes of the world and how the Native American people adjust to the many new and different challenges they face. Even though there are a few times when Momaday’s writing can seem sidetracking and misleading, he is still able to bring it all together in the end. This makes for very beautifully well written works with some of the most descriptive scenes I have ever read. I would highly recommend any of Momaday’s writings based off of the knowledge I have gained by examining a few short pieces by him. The stories are great, and the descriptions are powerful enough to leave you breathless. Works Cited Momaday, N. Scott. â€Å"The Way to Rainy Mountain.† Fields of Reading. Ed. Nancy Comley, et al. New York: St. Martin’s Press, 1998. 577-580. Perennial Classics. Ed. HarperCollins Publisher. 26 February 2002 A Writers Style Essay -- Writing Style Momaday Essays Papers   Ã‚  Ã‚  Ã‚  Ã‚  The Pulitzer Prize winning writer N. Scott Momaday has become known as a very distinctive writer who depicts the stories of the Native American life in almost poetic ways. He does an excellent job of transporting the reader from the black and white pages of a book, to a world where every detail is pointed out and every emotion felt when reading one of Momaday’s books or other writings. This style of writing that Momaday uses is very evident in his work â€Å"The Way to Rainy Mountain,† and made even more apparent by reading a review of the book House Made of Dawn found on a web site run by HarperCollins Publishers.   Ã‚  Ã‚  Ã‚  Ã‚  Throughout the essay â€Å"The Way to Rainy Mountain†, Momaday uses very descriptive words, which brings the places he is describing to life in the minds eye. The essay begins with his description of the homelands of his Kiowa people, which has been given the name of Rainy Mountain. The picture painted in the readers mind by these beautiful descriptions makes it easily understandable why the Kiowa people came to settle upon this land as their home. For example, part of the description Momaday gives of the land within the first paragraph is, â€Å"There are green belts along the rivers and creeks, linear groves of hickory and pecan, willow and witch hazel. At a distance in July or August the streaming foliage seems almost to writhe in fire.† (Momaday, 95) I can not help but imagine the trees wavering in a gentle early fall breeze as the yellows and reds seem as if the whole land is burning beneath the fading summer sun. Halfway through the essay he de scribes the Black Hills by saying â€Å"A dark mist lay over the Black Hills and the land was like iron.† (97) He then describes Devil’s Tower in the next sentence by writing â€Å"†¦I caught sight of Devil’s Tower upthrust against the gray sky as if in the birth of time the core of the earth had broken through its crust and the motion of the world was begun.† (97) The way that Momaday describes these breathtaking scenes allows the reader to both see and feel the emotion that these great views evoke. This style of writing is backed up through HarperCollins Publishers online review of Momaday’s book, House Made of Dawn, when it states that â€Å"The world of his grandfather, Francisco—and of Francisco’s fathers before him—is a world of seasonal rhythms, a harsh and beautiful place†¦Ã¢â‚¬  This shows that inside the book House ... ...aw the reader in.   Ã‚  Ã‚  Ã‚  Ã‚  In conclusion, upon looking further into N. Scott Momaday’s style of writing, I have found it to be true that he has developed one of the most sound and beautifully descriptive styles of writing. The way he describes each scene with so much feeling brings the reader in through a very emotional avenue. Also, his style is very strong where he covers the changes of the world and how the Native American people adjust to the many new and different challenges they face. Even though there are a few times when Momaday’s writing can seem sidetracking and misleading, he is still able to bring it all together in the end. This makes for very beautifully well written works with some of the most descriptive scenes I have ever read. I would highly recommend any of Momaday’s writings based off of the knowledge I have gained by examining a few short pieces by him. The stories are great, and the descriptions are powerful enough to leave you breathless. Works Cited Momaday, N. Scott. â€Å"The Way to Rainy Mountain.† Fields of Reading. Ed. Nancy Comley, et al. New York: St. Martin’s Press, 1998. 577-580. Perennial Classics. Ed. HarperCollins Publisher. 26 February 2002

Free Essays - Realism and The Adventures of Huckleberry Finn :: Adventures Huckleberry Huck Finn Essays

Realism and The Adventures of Huckleberry Finn    The Adventures of Huckleberry Finn, by Mark Twain, is an immensely realistic novel, revealing how a child's morals and actions clash with those of the society around him. Twain shows realism in almost every aspect of his writing; the description of the setting, that of the characters, and even the way characters speak. Twain also satirizes many of the foundations of that society. Showing the hypocrisy of people involved in education, religion, and romanticism through absurd, yet very real examples. Most importantly, Twain shows the way Huckleberry's moral beliefs form amidst a time of uncertainty in his life.    Realism is a literary style in which the author describes people, their actions, their emotions and surroundings as close to the reality as possible. The characters are not perfectly good or completely evil; they exhibit strengths and weaknesses, just as real people. The characters often commit crimes or do immoral things, and are not always just good or just evil. In a realistic novel, aspects of the time period or location are also taken into consideration. Characters dress in clothes that befit them, and speak with local dialects. Most importantly, characters are not sugar coated or exaggerated. The characters do things as they would normally do them, and are not worse or better then their real life counterparts.      Ã‚  Ã‚  Ã‚  Ã‚   Using his experiences as a steamboat engineer, Mark Twain creates a realistic novel through meticulous detail in the descriptions of the setting, diction, and characters. The setting is described with much detail and imagery, so as to make it as close as possible to the actual surroundings. Twain uses a page just to describe the sunrise over the river.      The first thing to see, looking away over the water, was a kind of dull line - that was the woods on t'other side; you couldn't make nothing else out; then a pale place in the sky; then more paleness spreading around; then the river softened up away off, and warn't black any more, but gray; you could see little dark spots drifting along ever so far away-trading-scows, and such things; and long black streaks-rafts ... and by and by you could see a streak on the water which you know by the look of the streak that there's a snag there in a swift current which breaks on it and makes that streak look that way; and you see the mist curl up off of the water, and the east reddens up.

The Physics of Space Shuttle Re-Entry :: physics science space

When in orbit the shuttle is positioned so that it is moving nose-first and the top of the shuttle is pointing towards the earth. The shuttle is positioned "bottom up" so that the black bottom will radiate the heat from the sun more effeciently. Step one for the shuttle is to turn around so that it is moving stern-first and then it fires it's engines in order to slow the shuttle so that it will drop out of orbit. Next the shuttle flips over so that it is right-side-up when it enters the atmosphere. Between step three and four the shuttle burns any excess fuel that it may still have so that there is less of a danger of explosion when the fuel tanks get hot durring re-entry. Step four is where the shuttle maintains an angle of about 40 degrees from the vertical and maintains an approach so that the shuttle slows down. After slowing to a speed where the shuttle can maneuver it will "fly" (remember, the shuttle has no more fuel so it has only one chance to land) in some final S shaped cu rves to slow some more and then land at a designated airport (as shown below). How Does the Shuttle Turn or Maneuver in Space? The basic means of movement for the space shuttle can be explained in Isaac Newton's laws F=Ma and for every action, there is an equal and oposite reaction. The force, on the space shuttle, is equal to the mass of the shuttle multiplied by its acceleration. By burning fuel in a rocket engine on the back of the shuttle, a force on the shuttle equal to the mass of fuel being "thrown" out the stern of the craft multiplied by its acceleration. This basic physics formula is very important to the shuttle getting up into space and to the beginning of its deceleration on its return to earth. Thus it has a very real impact on weather the shuttle will survive the trip through the earth's atmosphere back to land. When the shuttle first enters the earth's atmosphere it is traveling at speeds topping 30,000 km/h. The shuttle has to decelerate to 0 km/h after it lands. The acceleration that it must endure to slow the shuttle is an incredibly large force on the structure of the craft. When the shuttle is entering the atmosphere it must enter at an angle window of only a few degrees.

Play Macbeth

Macbeth – Fair is Foul â€Å"Fair is foul and fouls is fair: Hover through the fog and filthy air. † The paradox â€Å"Fair is foul, and foul is fair,† expresses some of the many themes of Macbeth. There are several different ways in which these words can be interpreted.The first time we hear the statement is in the opening scene when the witches say the exact line â€Å"Fair is foul, and foul is fair† and Macbeth himself repeats it later almost precisely in Act 1 Scene 3: â€Å"So fair and foul a day I have not seen† Act 1 Scene 1, line 48 Which suggests a link between Macbeth and the sisters, though the interesting thing is that he hasn't even met them yet, although they have already conspired to meet with him. They lure him with fair means, by telling him a small truth, to a foul end. Banquo suspects this, but Macbeth ignores his warnings.The witches themselves seem to be the embodiment of the foul part of the phrase. At the time, people were ver y superstitious about witches, believing they were evil and should be burned. They would obviously assume the witches to be evil and untrustworthy. During this time, Guy Fawkes had tried to overthrow the English king, but had failed. However, Macbeth succeeded in acquiring the throne. Perhaps it was only because of the evil witches that he managed to do so. It is possible that he wouldn't have even attempted to become king if the witches had not enticed him with their predictions.The witches also have an eerie atmosphere about them because they always speak in rhyme. When they were first introduced, they were meeting in a storm and by the darkness and turbulence; the audience can tell straight away that they are going to be evil characters in the play. Also the ingredients they use for their spells and charms are unnatural and disgusting. â€Å"Fair is foul, and foul is fair† can be related to the The witches delight in confusion, always speaking in rhyme and often contradict ing themselves in what they say, â€Å"Lesser than Macbeth, and greater.Not so happy, yet much happier. Thou shalt get kings, though thou be none:† Act 1 Scene 3, lines 65-67 Their exact meanings are never clear and even their appearances are confusing, as Banquo states: â€Å"You should be women, And yet your beards forbid me to interpret That you are so. † Act 1 Scene 3, lines 45-47 Characters can sometimes appear to be under the influence of the witches at crucial points in the play, such as when Lady Macbeth calls upon evil spirits, it is very similar to a spell: â€Å"Come, you spirits That tend on mortal thoughts!Unsex me here, And fill me from the crown to the toe top-full Of direst cruelty ;make thick my blood, Stop up the access and passage to remorse, That no compunctious visitings of nature Shake my fell purpose, nor keep peace between Th'effect and it! † Act 1 Scene 5, lines 39-46 However, by the end of the play, it is more like Macbeth has recited t his incantation, as he has become cold and destroyed everything that was ever good about himself. He cannot even find it in his heart to grieve for his wife, saying simply that she should have picked a better time to die.During the play, we see certain character's personalities changing from fair to foul, or foul to fair. For example, at the beginning of the play Macbeth is shown as a brave and noble warrior, perhaps the fairest man in the whole of Scotland. However, his ambition is stirred by the foul predictions of the witches: â€Å"All hail Macbeth! That shalt be King hereafter. † Act 1 Scene 3, line 50 He tries to reject his â€Å"dark desires† to kill, but eventually at the cajoling of his wife he is driven to murder Duncan.Before the deed is done, Macbeth's soliloquy reveals his confusion as he considers all angles, reminding us of the chaos the witches bring. Everything is stacked against the murder, apart from his ambition which he knows can only lead to a fal l. Even then, he is still convinced by Lady Macbeth to murder Duncan. After the murder, Macbeth begins a downward spiral, needing no more encouragement to kill and becoming so obsessed with his pursuit of glory that he doesn't even notice Lady Macbeth slipping into insanity.When she commits suicide, he finds he has lost the capacity for grief. At the start of the play Macbeth appeared to be a fair man, receiving nothing but praise from the wounded sergeant. He had great trouble bringing himself to murder Duncan, and afterwards is burdened with guilt and regret. He believed he was not fit to pray, and when he murdered Duncan, he murdered sleep at the same, time, so he will never be allowed to rest again. â€Å"What hands are here! Ha! They pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hands? Act 2 Scene 2, lines 59-61 However by the end of the play he is so foul he is almost inhuman. This is shown when he has Lady Macduff and her children massacre d in cold blood, and he cannot possibly justify this crime in any way, as it was completely unnecessary. The relationship between Macbeth and Lady Macbeth also turns from fair to foul. At first they share everything, and Macbeth calls his wife â€Å"my dearest partner of greatness. â€Å". When Lady Macbeth assesses her husband's character, it is clear that she knows him very well.

Claudius McKay

Near the beginning of the twentieth century, a Jamaican, came to New York and changed the entire path of Black people’s lifestyle. Claudius McKay became one of the major encourager of the Harlem Renaissance in 1916. The 1920’s literary advancement of the arts and literature stayed for merely ten years, but it everlastingly affected the path of African American existence in the America. (Holcomb, 57) Claudius McKay passed away in a comparative insignificance subsequent to his recognition had gradually improved, in order that he is now regarded as one of the main authors of Black literature. Life and Works Claudius McKay was born in 1889 in Clarendon Parish, Jamaica and his father and mother both were greatly valued part of the district and also of the neighboring cathedral. McKay’s brother who was a teacher near Montego Bay, taught him in the early years. When he was eighteen years old, he was interned at a furniture making shop in Brown’s Town. Although this internship was not for along period of time but it was this place where McKay actually got a chance to do a better internship of a different type. A British member of the aristocracy named Walter Jekyll, who was also an apprentice of Jamaican society, acquainted with the youthful Claude and commenced his literary schooling. As McKay remembered after many years in his biography in, â€Å"A Long Way from Home†, that it was basically Jekyll who accustomed him to an entire new world. (Schwarz, 126) Walter Jekyll understood and polished McKay’s ability writing excellent poems and he supported him in using that ability by working for his very own Jamaican language. This resulted in the publication of â€Å"Songs of Jamaica† and â€Å"Constab Ballads†. â€Å"Songs of Jamaica† was about commemoration of farmer lifestyle, to some extent following the style of Robert Burns, whereas â€Å"Constab Ballads† followed the style of Rudyard Kipling, depicting McKay’s experience of being a constable while he was in Kingston in Jamaica. (James, 131) Kingston presented McKay his foremost experience of urban lifestyle, and his foremost actual experience of racial discrimination. The dislike of the urban white people and mulatto elite classes for countryside and working-class African American was an unlikable disclosure. The most obvious racial discrimination that McKay observed in Kingston, nevertheless, was in no way Jamaican in foundation—it was brought in the shape of travelers of America. McKay was bound to know this kind of racial discrimination much more thoroughly in the coming years, which is why just after a few months in the Kingston; he gave his resignation for his job and went to America. (Schwarz, 129) In 1912, firstly he registered at Tuskegee Institution and then at Kansas State University, to learn agronomy. He planned to come back to Jamaica to assist in modernizing the isle’s farming. This plan could have been successful however for a present of few thousand dollars from an anonymous supporter that compensated McKay’s ticket to New York, where he spent his money in a restaurant. The restaurant did not survive for a long time; however McKay got a definite comfort in the activities and liveliness of the New York. For next several years he employed at different places doing different things like: bartender, fire brigadier, and lastly as a waiter. This was nonetheless, one more internship; the job where he furthermore increased the compassion for the lower class that stayed with him his entire life. From the time when he was young he had inclined tactfully in the direction of communism, and his time spent with the working class strengthened his viewpoints. (LeSeur, 35) His awareness about racial discrimination increased close with his class awareness. For the period of his work and increasing racial consciousness, he put it all in writing in the form of literature. By 1918, he started a extensive connection with Max Eastman who was the editor of a renowned journal named â€Å"The Liberator†. After that McKay started to publish poetry and articles in this avant-garde magazine, and finally turned out to be an associate editor. Later on in reaction to that year’s blood-spattered after warfare racial unrest, McKay published his famous poem â€Å"If We Must Die† in the magazine â€Å"The Liberator†. The bold manner and the open indignation of the poem attracted the African American’s, and almost immediately McKay was at the front position of African American writers. (LeSeur, 51) After that McKay experienced one more unexpected twist which played an important role in his life and work. Prior to his recently successful repute had a prospect to boom, he went to United Kingdom where he lived for one year, wrote and edited for a socialist newspaper, named â€Å"Workers’ Dreadnought†, and later on in 1920, published his primary manuscript of poems ever since the Jamaican volumes, which included â€Å"Spring in New Hampshire† and Other Poems. Then he went back to New York in the beginning of 1921 and worked for another two years for â€Å"The Liberator†, and published an excellent piece of poetry and meanwhile worked on his most important book of poetry named â€Å"Harlem Shadows†. (Hathaway, 23) When it was published in 1922, Wayne Cooper observed that by that time McKay was straight away complimented as the finest African Black poet. Yet another time he did not remain in success for a long time. By this time he was exhausted and wanted something different, particularly subsequent to an unexpected encounter with his ex-wife brought back old wound. By the end of 1922, he toured to Moscow for the Fourth Congress of the Third International. He was instantly liked by the people of Moscow and was permitted to speak to the Congress regarding the dilemma of African Americans and about the issue of racial discrimination among the communalist Party. He was welcomed like a black icon in the flesh. It appeared that he was on the brink of a hopeful career as a supporting advocate; however regardless of his achievement in Russia, he could still see himself mainly as an author. When he left Russia, he was enthusiastic about restarting what he believed the contemporary author’s appropriate role; that is: to document as fine as he may well the reality of his personal knowledge. In 1934, using the assistance of a few American associates, McKay went to New York. He wished to be of help to the African American community, nevertheless when he returned; he saw a ruined economic situation, nearly widespread African American poverty, and less unanimity amongst those writers and scholars he had look forward to work with in coming years. As far his aspiration being a writer was concerned, the â€Å"Harlem Renaissance† had ended; American black authors were no longer in vogue. (Hathaway, 26) He was unable to find a publisher for his book and also he could not find any kind of work, and decided to set up a Camp Greycourt which was a government welfare camp in a remote area of New York. Luckily, Max Eastman came and rescued him from this camp and helped him to get hold of a job with the Federal Writers’ Project. By the end of 1937 he finished up his autobiography, â€Å"A Long Way from Home†. This book did not result in a significant literary or a monetary achievement. His final piece of work known as â€Å"Harlem: Negro Metropolis† was also unsuccessful. (James, 148) A few years before his death, McKay was baptized into the Roman Catholic church. This was he appeared to have established peace in himself, although his letters disclose a lasting resentment over his group. With his new faith, however, came a fulfilling participation in Chicago’s Catholic Youth Organization and the chance to continue to write. His health declined with time, and on May 22, 1948, he died due to heart attack. Conclusion Claudius McKay was the voice of the evicted, the demoralized and the discriminated. He was one of the most important poetic voices of the â€Å"Harlem Renaissance†. He was one of the top poets who had represented the discriminated people around the world. Last but not the least; he was one of the voices for worldwide self-worth and unity. Works Cited Hathaway, Heather. Caribbean Waves: Relocating Claude McKay and Paule Marshall. Bloomington: Indiana University Press, 1999. pg 23-27. Holcomb, Gary Edward. Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance. Gainesville: University Press of Florida, 2007. pg 56-63. James, Winston. A Fierce Hatred of Injustice: Claude McKay’s Jamaica and His Poetry of Rebellion. New York: Verso, 2000. pg 131-149. LeSeur, Geta. â€Å"Claude McKay’s Marxism.† In The Harlem Renaissance: Revaluations, edited by Amritjit Singh, William S. Shiver, and Stanley Brodwin. New York: Garland, 1989. pg 34-54. Schwarz, A. B. Christa. Gay Voices of the Harlem Renaissance. Bloomington: Indiana University Press, 2003. pg 126-129..               

Children Getting Parents in Trouble

Although children are a parents responsibility, parents are not constantly with their children to keep them from doing irresponsible acts. Parents can only control what their children are doing if they are in their sight. Children will often blame their parents for their actions when in reality the child is either pressured by a friend, curious, or wanting to live the â€Å"life of a teenager† and have fun. It is argued that parents should know where their children are but, children are not stupid and have many ways of working around that. They could tell their parents that they are going to go to their friends house and spend the night. The parents can only trust that their child is actually there. Then, there is a problem with parents who do not care at all about what their children do. If a child (child 1) was to spend the night at a friends house (child 2) and the parents of child 2 did not care at all about what the kids did and the kids went out to a party and got really drunk causing them to make some bad decisions, probably drunk driving, arsine, or murder. Than the parent that should have been watching the children is at partial fault. But they are not always the ones who get charged for the crime and it’s the other parents who get the blame. Parents can not help the curiosity that their children have. Children know right from wrong and know that what they are doing is not appropriate. They need to be punished for what they have done, if every child got away with crime and their parents were charged, than the child would never learn from their mistakes and think that they will be able to get away with anything and continue to commit crimes.

Summer Writing Assignment †College Essay

Among all the characters that I have encountered in books and movies, one persona stood out as the one I want to emulate the most. He went by the name Equality 7-2521 from the novel entitled â€Å"Anthem† by Ayn Rand. He appealed me the moment I read the book because he embodied what I am striving to be.His personality was the quintessence of the qualities I needed to be successful. When I read the book, I was utterly impressed by his determination, intelligence, and more importantly, his perseverance as an individual. He has a significant influence on me and I find him a great source of inspiration to struggle harder in the complexities of life.It was during my sophomore year that I read the book â€Å"Anthem.† At that time, I was in a predicament over whether I should concentrate on schooling or finding a part-time job.The reason why I had such qualms was that even I made endeavors to complete my school works properly and attempted to attain high scores, my poor Engli sh proficiency derailed my plans. I was discouraged by the inconsistency of my efforts and grades printed in my report card.The course of things changed when I read â€Å"Anthem.† I was impressed by the characteristics of Equality 7-2521, the protagonist in the novel. The story was set in a fictional world which was dominated by collectivism. Equality 7-2521, who was seeking for self-identification, struggled in a society that rejected individualism in favor of collectivism.Equality 7-2521 discovered a tunnel where he began hiding regularly to conduct scientific experiments. Later on, he invented the light bulb and decided to share his device with the World Council of Scholars, even though he knew the way he came to discover electricity was illegal and sinful. Subsequently, Equality 7-2521's presentation of the light bulb to the World Council of Scholars permanently severed him from society and forced him out on his own.The reason that the World Council of Scholars made this decision was that collectivism does not allow people to think or work individually but jointly. As a result, Equality 7-2521 was exiled yet he did not stop pursuing his goal. He kept studying in the woods and eventually discovered the meaning of individualism and the word â€Å"I.†As I read the book thoroughly, I realized the qualities that I must possess in order to achieve my ambitions. Equality 7-2521 had a worse situation than mine, but by the virtue of his positive attributes, he successfully pulled off his discovery. He believed in individualism and rejected the collectivist society around him. He was insightful, perseverant, truth-seeking, resolute, and intelligent. He was deeply curious and desired freedom to explore and think, and he was unafraid of the society of mindless drones around him.Equality 7-2521 represented the superiority of a singular intellect to the homogeneity of the masses, who could not think of themselves and were indistinguishable from one another . I plan to get a high score as well. I believe I could reach my aspirations if I exemplify the qualities that Equality 7-2521 had. The strong and firm character Equality 7-2521 held inspired me every time I face a dilemma in real life.Equality 7-2521’s story assured me that nothing is impossible and that I can succeed too even in my simple but unrelenting ways. Along this line, I should stay focused on my work and studies, and possibly make a significant improvement in the coming marking period.He had a tremendous impact on my personality, not only in my study habits, but also in the determination to confront difficulties. Whoever and whatever I am now, I owe it for the most part to Equality 7-2521 for transforming me to the kind of person I never imagined I could ever be. Life indeed is like a roller coaster with ups and downs to render it more interesting and breathtaking. And above all, what is of the essence is that Equality 7-2521 indirectly made me complete and unexpec tedly happy as well.